Chandeliers have been around a long time. They were probably in common use in Egypt 5,000 years ago, for it is believed that arrays of butter lamps were used to provide the light required to decorate the Pharaoh's tombs. These could possibly have been the first chandeliers, though probably not.

 

Since the days of ancient Egypt, the chandelier has moved on. They have been manufactured out of virtually every material known. Today it is possible to buy chandeliers manufactured from: wood, glass, iron, brass, copper, plastic, ceramics, steel, stainless steel, wrought iron, deer antlers and more.

 

How they are embellished or decorated is almost limitless, also. It is almost impossible to think of a form of decor which has not been used to embellish a chandelier somewhere. Also, the source of light has been customised, or adapted to suit chandeliers as technology moved on. From the butter lamp to candles, oil to electricity, even solar energy and fluorescent material, it has all been adapted for accommodation into a chandelier somewhere.

 

Glass has been manufactured for thousands of years. Examples of coloured glass and lead glass have been found in Mesopotamia, (1700 BC) Egypt, (1500 BC) and ancient China. The Mesopotamians and Egyptians were experimenting with lead in glass 3,000 years ago and several examples of coloured glazes have been found containing lead oxide more than 3,000 years old. It must be assumed that lead glass and coloured glass has probably been used in chandeliers or lighting for most of this time.

 

In the Middle East it was discovered that the addition of different types of base metals or minerals either made glass clearer, or gave it hints of colour. By the 12th century, the Egyptians knew how to make most of the glass that we take for granted today, including lead crystal. The only problem was, that it cost a fortune to make, and was the realm of only the very wealthy. At that time, Egypt was the world leader in the production of high quality glass and crystal. Even today, some of the highest quality lead crystal is manufactured in Egypt, which is responsible for nearly 80% of the lead crystal produced in the world today.

 

In the 18th century Louis XIV of France rose to the pinnacle of his power. He ruled over a country which had become the undisputed economic, cultural, and artistic leader of Europe and thereby the so called civilised world, (it was expedient in those days to ignore anything which wasn't European or Christian, so everything East of Athens, or South of Naples didn't count).

 

Louis, France's Sun King, decided that a country as great as his must have the greatest palace in the world, and he set about building The Palace of Versailles. This took over twenty years to build, was the largest building in the world and cost a staggering amount of money, 20% of France's GDP for 20 years. If a modern day politician even suggested building something like this today, he/she would be locked up in a lunatic asylum, but in Louis' day, this sort of thing was acceptable (at least until they chopped off his descendants head). The reason I'm waffling on about Versailles is because of the influence it had on the design and manufacture of chandeliers in Europe. In his attempt to build the most magnificent building in the world, Louis XIV needed an equally magnificent way of lighting it, and voila, the drop crystal chandelier was born.

 

If you ever get the opportunity to purchase an original Louis XIV drop crystal chandelier, be prepared to part with enough money to buy an 80 foot yacht, or a detached house in The City of London, these things don't come cheap. Of course, in The Sun Kings day, what Louis did everybody had to do, or they simply weren't in step, so virtually every chateau in France had the odd drop crystal chandelier, and it wasn't long before the rest of Europe followed. A spate of ‘keeping up with the Jones''' only in this case it was the Louis'.

 

Still, without Louis X1V and his extravagances we may never have had what I consider to be the most beautiful style of chandelier ever devised by man, and that is why this website is full of variations on the basic theme of drop crystal chandeliers, as made fashionable by the once great French court.

 

Today, the drop crystal chandelier can be found all over the world. It is made in almost every size, and in literally tens of thousands of different styles. From the tiny single bulb pendant found in smaller homes to the huge 500 bulb stunners found in some of the worlds most prestigious hotel lounges. Unlike Louis XIV, most of us can't afford to have our chandeliers made from solid gold, so we tend to make them in more basic metals, such as iron, brass, or copper, and then electro plate them in gold, silver, or even chrome. The materials from which they are made, accounts for their weight, which usually surprises most people who come looking for a drop crystal chandelier for the first time.

 

The weight of a drop crystal chandelier is hardly surprising when one considers what they are made from. It isn't so much the iron, brass or copper used to manufacture the main body of the chandelier, but the crystal itself, which accounts for the weight. Crystal is an amalgamation of glass, and lead, with possibly a few other impurities if colour is required.

 

Glass is simply sand, heated to a high temperature until it melts and becomes amorphous, then manipulated into the required shape and allowed to cool again. Of course, it isn't quite as simple as that, but my point is, sand is not lightweight. If you've ever built sandcastles on the beach, or mixed mortar when building a house, you will know what I mean. Sand is a heavy substance, so why do people expect glass to be lightweight? Possibly because they can see through it!

 

Crystal is even more interesting. To make crystal, we first take sand, mix in a proportion of lead, anything from 10% to 40% by weight, melt it down, and presto, we have lead crystal.

 

I've never come across a piece of light lead in my life, so it's hardly surprising that lead crystal is heavier than plain glass. Lead is actually 5 times as heavy as sand, so if there is 30% lead in the crystal; it will be more than twice the weight of glass on its own.

 

 

It's because of the weight of the crystal, that such a robust frame is needed to support it. The reason the main body of a drop crystal chandelier is made from iron, brass, copper, or bronze, is because very little else is strong enough to support the weight of the crystal, and the frame probably only accounts for 25% to 40% of the total weight of the chandelier. The heaviest commodity of a lead crystal chandelier is the crystal itself, and the higher the quality of the crystal, the heavier it becomes.

 

If you examine a single piece of crystal on almost any chandelier, you will see it has facets on its surface. These facets are there to maximise the fracturing of the light that passes through the crystal and thereby produce the maximum display of coloured light. It's simple really. When light passes through a prism, the light is bent as a result of the diffractive index of the glass being different to that of air.

 

 

White light is made up of thousands upon thousands of different wavelengths of radiation given off by the sun. Each wavelength is a different colour in the visible spectrum, and each wavelength is bent at a slightly different angle to its neighbour as it passes through glass. A prism has the effect of separating out all the light into its different wavebands, thereby splitting up the different colours in the light. What therefore comes out of the spectrum are effectively all the colours of the rainbow. Each piece of crystal on a drop crystal chandelier is in effect many prisms in one. For each facet on the crystal acts as a prism, and each piece of crystal has many facets ground on its surface. The clearer the crystal is, the better the light is transmitted through it, and the more facets the crystal has the more the light is fractured and the more colour you get.

 

There is a limit to how clear crystal can be made, and that is governed by the lead content. Generally, the higher the lead content, the clearer the crystal becomes, the problem is that there is an upper limit to just how much lead can be added before the crystal starts to cloud, and this limit is reached at concentrations of about 38% to 40% lead.